Quality & Standard: What Is Good Microblading?

By: Nancy Jun Liang

Microblading has become a trend in the recent decade all around the world. People have come to get their eyebrows on point and in better shape. One thing that made microblading so popular is the ability to make a person’s brows look natural, with hair-like strokes, as if they were born with it.

For me, choosing an Artist is like choosing a plastic surgeon. I mean at the end of the day, the work done is on your face. The more natural, the better the quality. Think about it, would you want a nose job that is obviously operated on or would you want one that looks like you were born with it? Microblading is the same. If the work is natural and you can’t tell that it has been worked on, that means the quality is at its highest. And to be honest, its the reason why microblading became so popular – naturalism. So I’ve always found that the “microbladed” look is unnatural. Below, I will point out the most important factors that contribute to producing ultimate naturalism.

When I first started microblading, it was very clear that my strokes were not up to my standards. People have told me they look very good, but I wasn’t satisfied.

What were they seeing that I wasn’t?

Was I too hard on myself?

For most, shape is the most important point of microblading. So when they see that the shape is to their liking, that’s all that matters.

I did a quick google search for bad microblading job, and this is what I found:

*This is not work by a Grand Arc Artist*

Why is that a bad job?

The shape looks ok. In an artist’s eyes, this is a bad job because:

Strokes are very very thick, which means its deep work. This is not microblading, it’s a permanent tattoo. Thick strokes = deep work.

The strokes do not follow any type of hair flow. Natural hair does not flow up without any curve at all. And it does not fall in straight lines.

The strokes are very long. Eyebrow hairs have short, medium and long hairs mixed together, nature does not create long strokes going through half the brow.

Those brows do not look natural. It’s somewhat of an exaggeration of what a bad job looks like, but it does bring the point across.

All the above points contribute to the trend of the “microbladed” look. Which makes it very obvious that work has been done.

Make sure the artist you choose has a portfolio. Please view their portfolio and make sure you like what you see before booking.

Portoflio

When looking for an Artist, as mentioned, it is important to view their portfolio to ensure that their work is to your standard and liking. There are a few things to look for in a portfolio. An honest and quality Artist has nothing to hide, they will offer you all the information for you to make an informed decision.

1.  They should have both before and after pictures of the work. Not one or the other, or else how would you know what was done if it looks very natural.

2. Their portfolio should include different angles and both, left and right brow. Not only one, or else how would you know if both brows are symmetrical?

3. Their pictures should be high resolution so that the strokes are clear to see. This will ensure there is nothing hidden from you and you are choosing an Artist of quality.

Example:

 

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Quality Work

 Shape

Shape is very important. Our facial structures differ from one person to the other. Just because a pair of brows fits one celebrity, it does not mean it will fit another celebrity. Angelina Jolie and Selena Gomez do not have the same brows. Why? Because they are unique and different in their own right. So quality shape is when brows fit a person’s features and facial structure, no matter the trend. This is why I always put out pictures one with before and after, another with a beauty shot.

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Strokes

What determines a great job from an ok job is the strokes. Strokes should be crisp, thin and precise.

Left: August 2017/ Right: January 2018

The above two pictures are both my work. The left one was before I started charging. The right one is my current work. Can you see the difference?

The left one is thicker in strokes, and the strokes are not very clean. They are thicker in certain areas and thinner in others all in one single stroke. This is because I was still learning and my precision was not very good. So instead of cutting into the stroke I initially made, The blade went right beside it by maybe half a millimeter. We call this imprecise pigment filling.  The healed result will not look sharp or natural.

The right picture, shows thin, crisp and precise strokes. And it will heal like the picture below. Natural, thin and crisp. (picture below is healed 6 -8 weeks, and before touch up was done)

Evolution

Artists that care and have a passion for their work will have a continuous evolution through their journey.  All beginning artists will face making thick strokes. Thats normal. This is because precision and control only comes with time and evolution. As you can see in the picture above, with training and experience, strokes get thinner and more realistic. From afar, they may not look so thick, but when compared to natural hair strokes, that becomes a very  different story.


My work in 2018

My work in 2020

Strokes and precision is what determines duration and how it will heal and fade. Thinner the strokes usually means more precise in depth and more surface and will likely fade completely. Thicker the strokes usually means deeper it is and will more likely leave a hue and thicken over time. Some will not fade completely.

Flow

I’ve always said that the secret to beautiful work is the ability to create a seamless flow. One that will blend in with natural hair, and its even better if you can’t tell which stroke is created and which stroke is hair.

Below is another work of mine, one of my first models actually. Its very obvious which strokes are created and which strokes are natural hair. The flow is definitely off.

Below is another one of my recent works. Can you tell which strokes are mine and which strokes are the natural hairs?

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Conclusion

This article is not about choosing one of our Artists, it is not about experience. It is about learning what is quality work and what is not. I hope at the very least this article has helped you find the right Artist for you.

Thank you!